Vocalist, songwriter, performer.

" ... supple, velvety voice -- somewhat like a combination of Norah Jones, Toni Price, Peggy Lee, and Billie Holiday . . . occasionally radiates Grace Slick-styled phrasing..." 

-- All Music Guide  

"On your initial trip through In The Ballroom, all you notice is Meredith DiMenna, a back-alley chanteuse committed to getting what she wants via enticement, or if necessary, menace. Hers is a dialect of purrs, sighs, sneers and growls. It is all too easy to imagine her spinning her tales of lust, betrayal and deception across the desk from a soft-headed private dick who is distracted by her gams. If you've ever wished Gentleman was recorded from a female perspective, your wait is over. If you're a fan of femme fatales and below-the-belt rock (and really, who isn't?), Saint Bernadette is definitely worth your attention."

--MOKB

"DiMenna is ready to slice...

She's authoritative and forceful in the way she sings. It's a mix between the ballsy of Janis Joplin and the ballsy of Grace Potter, achieving a different and new flavor of ballsy that achieves something that blurs the lines between old-school and progressive, take no shit heat." 

--Daytrotter

Producer, writer, facilitator for films, comedy shorts, music videos and marketing content. 

Jackie Greene, "Crazy Comes Easy"

Tim Bluhm, "Where I Parked My Mind"

Colin Hay, "How to play 'Overkill'"

Saint Bernadette, "Play to Win"

The Godfather Musical, "Ode to Fredo"

"Dear Beautiful" (Co-writer, co-producer) - Sundance Film Festival, Toronto Film Festival

"Glory at Sea"  (Associate Producer) - SXSW Film Festival

Currently Director of Operations at Trinity Community Commons.

Experienced marketing and artist development professional at independent labels.  

Additional experience with actors, writers, filmmakers, and non-profits.