Vocalist, songwriter, performer.

" ... supple, velvety voice -- somewhat like a combination of Norah Jones, Toni Price, Peggy Lee, and Billie Holiday . . . occasionally radiates Grace Slick-styled phrasing..." 

-- All Music Guide  

"On your initial trip through In The Ballroom, all you notice is Meredith DiMenna, a back-alley chanteuse committed to getting what she wants via enticement, or if necessary, menace. Hers is a dialect of purrs, sighs, sneers and growls. It is all too easy to imagine her spinning her tales of lust, betrayal and deception across the desk from a soft-headed private dick who is distracted by her gams. If you've ever wished Gentleman was recorded from a female perspective, your wait is over. If you're a fan of femme fatales and below-the-belt rock (and really, who isn't?), Saint Bernadette is definitely worth your attention."

--MOKB

"DiMenna is ready to slice...

She's authoritative and forceful in the way she sings. It's a mix between the ballsy of Janis Joplin and the ballsy of Grace Potter, achieving a different and new flavor of ballsy that achieves something that blurs the lines between old-school and progressive, take no shit heat." 

--Daytrotter

Producer, writer, facilitator for films, comedy shorts, music videos and marketing content. 

Jackie Greene, "Crazy Comes Easy"

Tim Bluhm, "Where I Parked My Mind"

Colin Hay, "How to play 'Overkill'"

Saint Bernadette, "Play to Win"

The Godfather Musical, "Ode to Fredo"

"Dear Beautiful" (Co-writer, co-producer) - Sundance Film Festival, Toronto Film Festival

"Glory at Sea"  (Associate Producer) - SXSW Film Festival

Currently:

Director of Programming, 

Analog at the Hutton Hotel

Board of Directors

Trinity Community Commons.

Experienced marketing and artist development professional at independent labels.  

Additional experience with actors, writers, filmmakers, and non-profits.